Posts Tagged ‘Iain McGilchrist’

A bunch of unrelated things I have been reading and hearing suddenly and rather unexpectedly came together synthetically. The profusion is too great to provide a handy set of links, and backstage analytics indicate that almost no one follows the links I provide anyway, so this will be free form.

Hyperanalysis

As I have previously blogged, peering (or staring) too intently at a physical object or subject of inquiry tends to result in the object or subject being examined at the wrong resolution. An obtuse way of restating this is that one can’t study the cosmos under a microscope or cell biology through a telescope. The common mistake is to study minutia and fail to perceive the whole, rarely the reverse. Iain McGilchrist suggests that hyperanalysis is a hallmark of an imbalance in brain lateralization, where the left brain (the Emissary) takes primacy over the right brain (the Master). Others building on McGilchrist’s thesis have theorized that human culture and styles of cognition have swung in and out of proper balance periodically throughout history. One theory used portraiture to support how depiction of the human face can be either humanistic or clinical in orientation. What artists perceive then produce divergent aesthetics where the eyes and mouth in particular suggest different ways of encountering the world. Using art to develop theories of psychohistory fits well with one of the preoccupations of this blog, namely, the nature of consciousness.

Intervention

Armed with a precise appreciation of some small aspect of a whole, often abstracted and idealized independently from easily observed fact in actuality, some make the leap that human activity can be acted upon confidently with entirely foreseeable outcomes. Thus, incautious decision-makers intervene to correct, adjust, or game areas within their concern and control. The applicable aphorism that restrains cautious people is “fools rush in where angels fear to tread.” Perhaps the Dunning-Kruger Effect helps to explain (at least in part) why actors plunge forward despite ample evidence that outcomes don’t adhere reliably to planning. Indeed, the rise and fall of many institutions demonstrate the fallibility of interventions in dynamic systems. Just ask the Federal Reserve. Periodic recourse to warfare is also characterized as a breakdown of peaceful stratagems accompanied by a fog where clarity of purpose is lost. Faced with deteriorating conditions, the demand that something be done, not nothing, also testifies to human frailty and frequent refusal to accept unknown contingency or inevitability.

Micromanagement

When ideology truly misfires, strenuous interventions take the form of tyranny in an attempt to force resistant outcomes into predetermined channels. Too many awful examples of abject failure on that account to mention. Small-scale tyranny might be better recognized as micromanagement. Control freaks adopt that behavior out of any number of motivations, such as distrust of others’ competence, inability to delegate or share responsibility, and hero syndrome. Ironically, the targets of control are often petty and do not contribute meaningfully to enhanced behavior or function. Rather, they focus on a subsidiary metric as a proxy for overall health, wellbeing, and effectiveness.

As people encounter ideologies and learn to systematize, they are especially prone to using incomplete understandings of complex systems and then seizing upon one intervention or another to attempt to solve problems. This is not limited to students in the early years of college who discover a supposed Rosetta stone for fixing ills but rather includes any reform political candidate or newly minted CEO with a mandate to remove corruption, dead weight, or inefficiency. This is also the domain of specialists, experts, and academics who have concentrated their efforts in a narrow subfield and feel confident generalizing that acquired skill and applied knowledge outside the area of focus. Of course, it’s warranted to rely on brain surgeons for brain surgery and car mechanics for automotive repairs. But no one expects them to offer advice on intractable social problems, correct historical wrongs, or develop a centered philosophy of anything. Indeed, institutions and societies are so complex and inherently unsteerable that, despite many futile attempts, no one has ever developed a comprehensive understanding sufficient to engineer programs that lead anywhere remotely in the vicinity of utopia. Yet with an abundance of confidence, agitators and activists — sometime quite young but unafraid to instruct their elders — seek to implement their ideological designs, by force if necessary, to enact desired change. Maybe those changes are considered humble baby steps toward improved social justice and greater equity, tinkering around the edges perhaps, but I doubt most ambitions are so constrained. While that energy is absolutely necessary in a pluralistic society to avoid cynicism and stagnation, it often becomes a victim of its own success when radicals gain power and impose orthodoxies that are ultimately self-defeating and thus short lived. History is full of movements, civil wars, and revolutions that demonstrate the point. Dystopian fiction also forewarns how tyrannies develop out of misguided application of ideology and power.

I probably haven’t described any too well the power law that coalesced in my thinking. Nor do I pretend to have solutions for anything. As I’ve often written, given the myriad problems global civilization now faces, it’s well nigh impossible to know what to wish for with much clarity since deliverance from one set of problems often exacerbates others. World systems theorists try to piece together various dynamics into a coherent unified theory, and I admire the effort to understand how the world really works, but I still subscribe to the precautionary principle when it comes to implementing globe-spanning programs.

Arranged from short to long.

A collective noun not in use but probably should be: a harassment of technologies. Needs no explanation.

From the Episcopal Church: the church key. A euphemism for a bottle opener for alcoholic beverages with bottle caps.

From various YouTube channels offering cinema reviews: memberberries. A cheap form of fan service, typically citing familiar nostalgic bit, lines, or characters to trigger a pleasing memory of previous TV shows and films. Generally used derogatorily.

Not new but new to me at least: ramekin. A small dish in which food can be baked and served. Reminded me of the far less commonplace hottle, which is a single-serving glass carafe for hot water, tea, or coffee. Here are representative pics:

From nowhere in particular: the poverty draft. An open secret (arguably, not really lingua nova) that recruitment into the U.S. military is aided substantially by the poverty of potential recruits. Thus, joining a branch of the armed services is not necessarily because of ideological agreement with its functions or an earnest desire to serve but instead — at the risk of life and limb — to get education and training not otherwise available or to expunge debt from more traditional educational institutions.

From Thomas Chatterton Williams (whom I might criticize for a number of reasons, but I’ll abjure): the Age of Theory. The modern age (pick a start date) has been called many things. I tend to call it the Age of Abundance since that quintessential characteristic is now decidedly on the wane. (Age of Oil and Fossil Fuel Era are essentially the same thing.) Age of Theory refers to PoMo reliance on theory and abstraction as a means of understanding and interpreting nearly everything. I’ve blogged quite a bit about living in our heads as distinguished from living in our bodies (i.e., being embodied). My book blogging through Iain McGilchrist’s The Master and His Emissary is most on point (see the McGilchrist tag).

From Peruvian writer and essayist Mario Vargas Llosa: the truth in the lies (translations vary — sometimes given as the truth of lies). Although Vargas Llosa is referencing fiction (writers writing about writing), the notion that a lie can reveal a more significant truth is at the heart of communications. Whether through advertising, public relations, entertainment, politicking, or propaganda, shaping opinion with use of subtle-to-obvious (mis-)framing or with straight-up lies and falsehoods is the contemporary information landscape, though many attempt to adhere rigorously to truth and reality. Separating malefactors from truth-tellers is the warrant and responsibility of any sovereign intellect — a formidable and ongoing task in an increasingly deranging public sphere.

Caveat: this post is uncharacteristically long and perhaps a bit disjointed. Or perhaps an emerging blogging style is being forged. Be forewarned.

Sam Harris has been the subject of or mentioned in numerous previous blog posts. His podcast Making Sense (formerly, Waking Up), partially behind a paywall but generously offered for free (no questions asked) to those claiming financial hardship, used to be among those I would tune in regularly. Like the Joe Rogan Experience (soon moving to Spotify — does that mean its disappearance from YouTube? — the diversity of guests and reliable intellectual stimulation have been attractive. Calling his podcast Making Sense aligns with my earnest concern over actually making sense of things as the world spins out of control and the epistemological crisis deepens. Yet Harris has been a controversial figure since coming to prominence as a militant atheist. I really want to like what Harris offers, but regrettably, he has lost (most of) my attention. Others reaching the same conclusion have written or vlogged their reasons, e.g., “Why I’m no longer a fan of ….” Do a search.

Having already ranted over specific issues Harris has raised, let me instead register three general complaints. First, once a subject is open for discussion, it’s flogged to death, often without reaching any sort of conclusion, or frankly, helping to make sense. For instance, Harris’ solo discussion (no link) regarding facets of the killing of George Floyd in May 2020, which event sparked still unabated civil unrest, did more to confuse than clarify. It was as though Harris were trying the court case by himself, without a judge, jury, or opposing counsel. My second complaint is that Harris’ verbosity, while impressive in many respects, leads to interviews marred by long-winded, one-sided speeches where the thread is hopelessly lost, blocking an interlocutor from tracking and responding effectively. Whether Harris intends to bury others under an avalanche of argument or does so uncontrollably doesn’t matter. It’s still a Gish gallop. Third is his over-emphasis on hypotheticals and thought experiments. Extrapolation is a useful but limited rhetorical technique, as is distillation. However, treating prospective events as certainties is tantamount to building arguments on poor foundations, namely, abstractions. Much as I admire Harris’ ambition to carve out a space within the public sphere to get paid for thinking and discussing topics of significant political and philosophical currency, he frustrates me enough that I rarely tune in anymore.

In contrast, the Rebel Wisdom channel on YouTube offers considerably more useful content, which includes a series on sensemaking. The face of Rebel Wisdom is documentarian David Fuller, who asks informed questions but avoids positioning himself in the expository center. Quite a change from the too-familiar news-anchor-as-opinion-maker approach taken by most media stars. If there were a blog, I would add it to my blogroll. However, offer of memberships ranging from $5 to $500 per month irks me. Paid-for VIP status too closely resembles selling of empty cachet or Catholic indulgences, especially those with guarantees of “special access.”

I became especially interested in Daniel Schmachtenberger‘s appearances on Rebel Wisdom and his approach to sensemaking. Lots of exciting ideas; clearly the fellow has developed an impressive framework for the dynamics involved. But to make it really useful, as opposed to purely theoretical, formal study akin to taking a philosophy course is needed. Maybe there’s written material available, but without a clear text resource, the prospect of sifting unguided through a growing collection of YouTube videos caused me to retreat (out of frustration? laziness?). At some later point, I learned that Schmachtenberger was a participant among a loose collection of under-the-radar intellectuals (not yet having elevated themselves to thought leaders) working on an alternative to politics-and-civilization-as-usual called Game B (for lack of a better name). A good article about Schmachtenberger and what’s called “The War on Sensemaking” (numerous Internet locations) is found here.

While the Game B gang seems to have imploded over disagreements and impasses (though there may well be Internet subcultures still carrying the torch), its main thrust has been picked up by Bret Weinstein and his DarkHorse Podcast (var.: Dark Horse) co-hosted by his wife Heather Heying. Together, they analyze contemporary political and cultural trends through the twin perspectives of evolutionary biology and game theory. They also live in Portland, Oregon, home to the most radical leftist civil unrest currently under way this summer of 2020. They further warn unambiguously that we Americans are at grave risk of losing the grand melting pot experiment the U.S. represents as the self-anointed leader of the free world and standard-bearer of liberal democratic values sprung from the Enlightenment. What is meant by protesters to succeed the current regime in this proto-revolutionary moment is wildly unclear, but it looks to be decidedly fascist in character. Accordingly, Weinstein and Heying are actively promoting Unity 2020 (var.: Unity2020 and Un1ty2020) to select and nominate an independent U.S. presidential candidate — “Not Trump. Not Biden.” Unless you’re jacked into the Internet and political discussions avidly, it’s quite easy to overlook this emergent political reform. I was vaguely aware of Articles of Unity and its “Plan to Save the Republic” yet still had trouble locating it via Web searches. Weinstein’s penchant (shared with his brother Eric) for coining new terms with flexible spelling is no aid.

Like Rebel Wisdom, Weinstein and Heying, each on their individual Patreon pages, offer multiple levels of membership and access: $2 to $250 per month for him, $5 to $17 per month for her. Why such high divergence, I wonder? I raise paid memberships repeatedly because, while acknowledging the need to fund worthwhile endeavor and to earn a living, there is something tacky and unseemly about enabling concentric inner circles exclusively through paid access — no other apparent qualification needed. More pointedly, an article called “The Corrupting Power Of The Inner Ring” by Rod Dreher at The American Conservative discusses David Brooks’ column about Alan Jacobs’ book How to Think (2017) where Jacobs cites C.S. Lewis’ concept of the inner ring — something to be distrusted. (Sorry about that long string of names.) Also demonstrates how ideas are highly derivative of antecedents found throughout culture and history.

Anyway, the DarkHorse Podcast provides some of the best analysis (not to be confused with news reporting or journalism, neither of which is even remotely successful at sensemaking anymore) to be found among those inserting themselves into the public conversation (if such a thing can be said to exist). Willingness to transform oneself into a pundit and then opine freely about anything and everything is a shared attribute of the people profiled above. (I specifically disclaimed punditry as a goal of mine when launching this blog.) That most of them have embraced podcasting (not blogging — I’m so unhip, committed to a legacy medium that both came and went with surprising celerity) as the primary medium of information exchange is quite contemporary. I surmise it’s silent acknowledgement that Americans (on the whole) no longer read and that text has fallen out of favor compared to speech, especially the eavesdropped conversational type. Podcasting doesn’t complete the information gathering and sensemaking shift from text and newsprint to TV and video begun many decades ago but certainly intensifies it. Podcasting has also demonstrated real money-making potential if one succeeds in attracting a sufficient audience (driving ad revenue) and/or a cadre of subscribers and contributors. Potential for real political engagement is unproven as yet.

Another public intellectual I cited briefly a couple years ago, Thomas Sowell, crossed my browsing path yet again. And yet again, I found myself somewhat credulously led down the primrose path set by his reckless (or savvy?) juxtaposition of facts and details until a seemingly logical conclusion appeared magically without his ever having made it manifest. In the two-year-old interview I watched (no link), Sowell states cause-and-effect (or substitutes one combo for another) confidently while simultaneously exuding false humility. He basically serves up a series of small sells leading to the big sell, except that the small sells don’t combine convincingly unless one is swept unawares into their momentum. But the small sells work individually, and I found myself agreeing repeatedly before having to recognize and refuse the final sale. I also recognize in Sowell’s reliance on facts and numerical data my own adherence to evidence. That’s an epistemological foundation we should all share. Moreover, my willingness to consider Sowell’s remarks is a weak stab at heterodoxy. But as the modern information environment has made abundantly clear, lying with numbers and distortion of facts (or more simply, fake news and narrative spin) are precisely what makes sensemaking so difficult yet critical. For instance, I have echoed Sowell recently in suggesting that inequality and structural violence may be less rooted in snarling, overt racism (at least since the Civil Rights Era) than in simple greed and opportunism while acknowledging that virulent white supremacism does still exit. Yet others insist that everything is political, or racist, or owing to class conflict, or subsumed entirely by biology, chemistry, or physics (or religion). Take your pick of interpretations of reality a/k/a sensemaking. I had halfway expected someone to take me to task for failing to voice the approved radical leftist orthodoxy or try to cancel me for publishing something nominally conservative or Sowellesque. But no one cares what I blog about; I have succeeded in avoiding punditry.

With such a sprawling survey of sensemakers good and bad, successful and unsuccessful (according to me), there is no handy conclusion. Instead, let me point to the launching point for this blog post: my blog post called “Mad World Preamble.” Even before that, I blogged about Iain McGilchrist’s book The Master and His Emissary (2010), drawing particular attention to chap. 12 as his diagnosis of how and when the modern world went mad. Perhaps we have indeed managed to step back from the atomic brink (MAD) only to totter and stumble through a few extra decades as PoMo madness overtook us completely in the latter half of the 20th century; and maybe the madness is not yet the hallucinatory type fully evident at a glance. However, look no further than the two gibbering fools foisted upon the voting public in the upcoming U.S. presidential election. Neither is remotely capable of serving responsibly. Every presidential election in the 21st century has been accompanied by breathless analysis prophesying the implosion of either political party following an electoral loss. Well, they both imploded and can’t field a proper candidate for high office anymore. There is probably no stronger test case for societal and institutional madness than the charade we’re now witnessing. Maybe Unity 2020 is onto something.

Color me surprised to learn that 45 is considering a new executive order mandating that the “classical architectural style shall be the preferred and default style” for new and upgraded federal buildings, revising the Guiding Principles for Federal Architecture issued in 1962. Assuredly, 45 is hardly expected to weigh in on respectable aesthetic choices considering his taste runs toward gawdy, glitzy, ostentatious surface display (more Baroque) than restraint, dignity, poise, and balance (more Classical or Neoclassical).

Since I pay little attention to mainstream news propaganda organs, I learned of this from James Howard Kunstler’s blog Clusterfuck Nation (see blogroll) as though the order had already issued, but it’s apparently still in drafting. Twas nice to read Kunstler returning to his roots in architectural criticism. He’s never left it behind entirely; his website has a regular feature called Eyesore of the Month, which I rather enjoy reading. He provides a brief primer how architectural styles in the 20th century (all lumped together as Modernism) embody the Zeitgeist, namely, techno-narcissism. (I’m unconvinced that Modernism is a direct rebuke of 20th-century fascists who favored Classicism.) Frankly, with considerably more space at his disposal, Iain McGilchrist explores Modernist architecture better and with far greater erudition in The Master and his Emissary (2010), which I blogged through some while ago. Nonetheless, this statement by Kunstler deserves attention:

The main feature of this particular moment is that techno-industrial society has entered an epochal contraction presaging collapse due to over-investments in hyper-complexity. That hyper-complexity has come to be perfectly expressed in architecture lately in the torqued and tortured surfaces of gigantic buildings designed by computers, with very poor prospects for being maintained, or even being useful, as we reel into a new age of material scarcity and diminished expectations …

This is the life-out-of-balance statement in a nutshell. We are over-extended and wedded to an aesthetic of power that requires preposterous feats of engineering to build and continuous resource inputs to operate and maintain. (Kunstler himself avers elsewhere that an abundance of cheap, easily harvested energy enabled the Modern Era, so chalking up imminent collapse due primarily to over-investment in hyper-complexity seems like substitution of a secondary or follow-on effect for the main one.) My blogging preoccupation with skyscrapers demonstrates my judgment that the vertical dimension of the human-built world in particular is totally out of whack, an instantiation of now-commonplace stunt architecture. Should power ever fail for any sustained duration, reaching floors above, say, the 10th and delivering basic services to them, such as water for sinks and toilets, quickly becomes daunting.

However, that’s a technical hurdle, not an aesthetic consideration. The Modernist government buildings in question tend to be Brutalist designs, which often look like high-walled concrete fortresses or squat, impenetrable bunkers. (Do your own image search.) They project bureaucratic officiousness and disconcern if not open hostility toward the people they purport to serve. Basically, enter at your own risk. They share with the International Style a formal adherence to chunky geometric forms, often presented impassively (as pure abstraction) or in an exploded view (analogous to a cubist painting showing multiple perspectives simultaneously). Curiously, commentary at the links above is mostly aligned with perpetuating the Modernist project and aesthetic as described by Kunstler and McGilchrist. No interruptions, difficulties, or vulnerabilities are contemplated. Commentators must not be reading the same analyses I am, or they’re blithely supportive of progress in some vague sense, itself a myth we tell ourselves.

I revisit my old blog posts when I see some reader activity in the WordPress backstage and was curious to recall a long quote of Iain McGilchrist summarizing arguments put forth by Anthony Giddens in his book Modernity and Self-identity (1991). Giddens had presaged recent cultural developments, namely, the radicalization of nativists, supremacists, Social Justice Warriors (SJWs), and others distorted by absorbed in identity politics. So I traipsed off to the Chicago Public Library (CPL) and sought out the book to read. Regrettably, CPL didn’t have a copy, so I settled on a slightly earlier book, The Consequences of Modernity (1990), which is based on a series of lectures delivered at Stanford University in 1988.

Straight away, the introduction provides a passage that goes to the heart of matters with which I’ve been preoccupied:

Today, in the late twentieth century, it is argued by many, we stand at the opening of a new era … which is taking us beyond modernity itself. A dazzling variety of terms has been suggested to refer to this transition, a few of which refer positively to the emergence of a new type of social system (such as the “information society” or the “consumer society”) but most of which suggest rather that a preceding state of affairs is drawing to a close … Some of the debates about these matters concentrate mainly upon institutional transformations, particularly those which propose that we are moving from a system based upon the manufacture of material goods to one concerned more centrally with information. More commonly, however, those controversies are focused largely upon issues of philosophy and epistemology. This is the characteristic outlook, for example, of the the author who has been primarily responsible for popularising the notion of post-modernity, Jean-François Lyotard. As he represents it, post-modernity refers to a shift away from attempts to ground epistemology and from faith in humanly engineered progress. The condition of post-modernity is distinguished by an evaporating of the “grand narrative” — the overarching “story line” by means of which we are placed in history as being having a definite past and a predictable future. The post-modern outlook sees a plurality of heterogeneous claims to knowledge, in which science does not have a privileged place. [pp. 1–2, emphasis added]

That’s a lot to unpack all at once, but the fascinating thing is that notions now manifesting darkly in the marketplace of ideas were already in the air in the late 1980s. Significantly, this was several years still before the Internet brought the so-called Information Highway to computer users, before the cell phone and smart phone were developed, and before social media displaced traditional media (TV was only 30–40 years old but had previously transformed our information environment) as the principal way people gather news. I suspect that Giddens has more recent work that accounts for the catalyzing effect of the digital era (including mobile media) on culture, but for the moment, I’m interested in the book in hand.

Regular readers of this blog (I know of one or two) already know my armchair social criticism directed to our developing epistemological crisis (challenges to authority and expertise, psychotic knowledge, fake news, alternative facts, dissolving reality, and science denial) as well as the Transhumanist fantasy of becoming pure thought (once we evolve beyond our bodies). Until that’s accomplished with imagined technology, we increasingly live in our heads, in the abstract, disoriented and adrift on a bewildering sea of competing narratives. Moreover, I’ve stated repeatedly that highly mutable story (or narrative) underlie human cognition and consciousness, making most of us easy marks for charismatic thought leaders storytellers. Giddens was there nearly 30 years ago with these same ideas, though his terms differ.

Giddens dispels the idea of post-modernity and insists that, from a sociological perspective, the current period is better described as high modernism. This reminds me of Oswald Spengler and my abandoned book blogging of The Decline of the West. It’s unimportant to me who got it more correct but note that the term Postmodernism has been adopted widely despite its inaccuracy (at least according to Giddens). As I get further into the book, I’ll have plenty more to say.

Continuing from part 1 and part 2, let me add one further example of how meaning is reversed under the Ironic perspective. At my abandoned group blog, Creative Destruction, which garners more traffic than The Spiral Staircase despite being woefully out of date, the post that gets the most hits argues (without irony) that, in the Star Wars universe, the Empire represents the good guys and the Jedi are the terrorists despite the good vs. evil archetypes being almost cartoonishly drawn, with the principal villain having succumbed to the dark side only to be redeemed by his innate goodness in the 11th hour. The reverse argument undoubtedly has some merit, but it requires overthinking and outsmarting oneself to arrive at the backwards conclusion. A similar dilemma of competing perspectives is present in The Avengers, where Captain America is unconflicted in his all-American goodness and straightforward identification of villainy but is surrounded by other far-too-clever superheroes who overanalyze (snarkily so), cannot agree on strategy, and/or question motivations and each others’ double or triple agency. If I understand correctly, this plot hook is the basis for the civil war among allies in the next Avengers movie.

The Post-Ironic takes the reversal of meaning and paradoxical retention of opposites that characterizes the Ironic and expands issues from false dualisms (e.g., either you’re with us or against us) to multifaceted free-for-alls where anyone’s wild interpretation of facts, events, policy, and strategy has roughly equal footing with another’s precisely because no authority exists to satisfy everyone as to the truth of matters. The cacophony of competing viewpoints — the multiplicity of possible meanings conjured from any collection of evidence — virtually guarantees that someone out there (often someone loony) will speak as though reading your mind. Don’t trust politicians, scientists, news anchors, pundits, teachers, academics, your parents, or even the pope? No problem. Just belly up to the ideological buffet and cherry pick choose from any of a multitude of viewpoints, few of which have much plausibility. But no matter: it’s a smorgasbord of options, and almost none of them can be discarded out of hand for being too beyond the pale. All must be tried and entertained.

One of the themes of this blog is imminent (i.e., occurring within the lifetimes of most readers) industrial collapse resulting from either financial collapse or loss of habitat for humans (or a combination of factors). Either could happen first, but my suspicion is that financial collapse will be the lit fuse leading to explosion of the population bomb. Collapse is quite literally the biggest story of our time despite its being prospective. However, opinion on the matter is loose, undisciplined, and ranges all over the map. Consensus within expert bodies such as the Intergovernmental Panel on Climate Change, assembled specifically to study climate change and reports its findings, ought to put an end to controversy, yet waters have been so muddied by competing narratives that credulous folks, if they bother paying attention at all, can’t really tell whom to believe. It doesn’t help that even well-educated folks, including many professionals, often lack critical thinking skill with which to evaluate evidence. So instead, wishy-washy emotionalism and psychological vulnerability award hearts and minds to the most charismatic storyteller, not the truth-teller.

Perhaps the best instance of multiple meanings being simultaneously present and demanding consideration is found in the game of poker, which has become enormously popular in the past decade. To play the game effectively, one must weigh the likelihood and potential for any one of several competing narratives based on opponents’ actions. Mathematical analysis and intuition combine to recommend which scenario is most likely true and whether the risk is worth it (pot odds). If, for just one example, an opponent bets big at any point in the poker hand, several scenarios that must be considered:

  • the opponent has made his hand and cannot be beaten (e.g., nut flush, full house)
  • the opponent has a dominating hand and can be beaten only if one draws to make a better hand (e.g., top pair with high kicker or two pair)
  • the opponent has not yet fully made his hand and is on a draw (open-ended straight or four cards to a flush)
  • the opponent has a partial or weak hand and is bluffing at the pot

Take note that, as with climate change, evaluation in poker is prospective. Sometimes an opponent’s betting strategy is discovered in a showdown where players must reveal their cards; but often, one player or another mucks or folds and the actual scenario is undisclosed. The truth of climate change, until the future manifests, is to some tantalizingly unknown and contingent, as though it could be influenced by belief, hope, and/or faith. To rigorous thinkers, however, the future is charted for us with about the same inevitability as the sun rising in the morning — the biggest remaining unknown being timing.

Habitual awareness of multiple, competing scenarios extends well beyond table games and climate change. In geopolitics, the refusal to rule out the nuclear option, even when it would be completely disproportionate to a given provocation, is reckless brinkmanship. The typical rhetoric is that, like fighting dogs, any gesture of backing down would be interpreted as a display of submission or weakness and thus invite attack. So is the provocation or the response a bluff, a strong hand, or both? Although it is difficult to judge how U.S. leadership is perceived abroad (since I’m inside the bubble), the historical record demonstrates that the U.S. never hesitates to get mixed up in military action and adopts overweening strategies to defeat essentially feudal societies (e.g., Korea and Vietnam). Never mind that those strategies have been shown to fail or that those countries represented no credible threat to the U.S. Our military escapades in the 21st century are not so divergent, with the perception of threats being raised well beyond their true proportions relative to any number of health and social scourges that routinely kill many more Americans than terrorism ever did.

Because this post is already running long, conclusions will be in an addendum. Apologies for the drawn out posts.

Continuing from part 1, the Ironic is characterized by (among other things) reversal of meaning, sometimes understood as the unexpected manifested but more commonly as sarcasm. The old joke goes that in pompous, authoritarian fashion, the language/semiotics professor says to his class of neophytes, “In many languages, a double negative equals a positive, but in no language does a double positive make a negative.” In response, a student mutters under his breath, “yeah, right ….” Up to a certain age and level of cognitive development, children don’t process sarcasm; they are literal-minded and don’t understand subtext. Transcripts and text (e.g., blog posts and comments) also typically fail to transmit nonverbal cues that one may be less than earnest making certain statements. Significantly, no one is allowed to make offhand jokes in line at security checkpoints because, in that context, remarks such as “yeah, like my shoes are full of C4” are treated quite literally.

I have a vague memory of the period in my adolescence when I discovered sarcasm, at which time it was deployed almost continuously, saying the opposite of what I meant with the expectation that others (older than me) would understand the implied or latent meaning. I also adopted the same mock abuse being used elsewhere, which regrettably lasted into my late 20s. Maybe it’s a phase everyone must go through, part of growing up, and as a society, our cultural development must also pass through that phase, though I contend we remain mired in irony or ironic posturing.

The model for me was insult comedy, still in style now but more familiar from my childhood. Like most during this developmental phase, I accepted the TV as social tutor for how people communicate and what’s acceptable to say. So who can blame me or other children, fed a diet of snark and attitude (adult writers of TV shows being a lot more clever than the adolescent actors who voice the lines) from speaking the same way? But to appreciate irony more directly, consider the comedian (then and now) who levies criticism using clichés drawn from his or her own gender, race, religion, social class, etc. In comedy, sexism, racism, and class conflict are not just joke fodder but stereotyped bigotry that reinforces the very scourges they ostensibly criticize. Oh, sure, the jokes are often funny. We all know to laugh at the black comedian who trades nonstop in nigger jokes or the female who complains of being nothing more than an object for male titillation. Comedians (and special interest groups — minority or not — that lay claim to victimhood) may coopt the language of their oppressors (some actual, some imagined — see for instance those complaining about the War on Christmas), but the language and attitudes are broken down and reinforced at the same time.

This isn’t solely the domain of comedy, either. Whereas TV sitcoms are ruled by hip, ironic posturing — the show about nothing that plumbs the surprising depths inside everything trivial, banal, and inane, the show full of nerd archetypes who rise above their inherent nerdiness to be real people worthy of respect (or not surprisingly, not so worthy after all), or the endless parade of sitcom families with unrealistically precocious, smart aleck kids who take aim at everyone with a continuous stream of baleful insults, take-downs, and mockery but are, despite truly cretinous behavior, always forgiven (or passed over because another joke is imminent) and still lovable — in the virtual world (the Internet, where you are reading this), sarcasm, snark, irony, abuse, and corrosive jokiness are legion. Take, for instance, this video at Military.com and tell me there isn’t something deeply wrong with it:

One might wonder whether the intent is interdiction or recruitment (or both at once), especially if one acknowledges that most of the awful things depicted in the video are precisely what the U.S. military has been doing in the Middle East for well over a decade. The Fox News blurb linked below the video says, “The State Department is launching a tough and graphic propaganda counteroffensive against the Islamic State, using some of the group’s own images of barbaric acts against fellow Muslims to undercut its message.” Maybe the word propaganda is a mistake and publicity was intended, but I suspect that propaganda is the right word precisely because it’s understood as both pejorative and superlative. As with everything else, meaning has become polysemous.

Iain McGilchrist illustrates this with special emphasis on the arts and how substitution of symbolic tokens normalizes distortion. For instance, art theory of the Aesthetes contains a fundamental paradox:

The Aesthetes’ creed of ‘art for art’s sake’, while it sounds like an elevation of the value of art, in that it denies that it should have an ulterior purpose beyond itself — so far so good — is also a devaluation of art, in that it marginalizes its relationship with life. In other words it sacrifices the betweenness of art with life, instead allowing art to become self-reflexively fulfilled. There is a difference between the forlorn business of creating ‘art for art’s sake’, and art nonetheless being judged solely ‘as art’, not as for another purpose. [p. 409]

Isolating artistic creation in a mental or virtual transactional space ought to be quite familiar (or perhaps more accurately, assumed and thus invisible) to 21st-century people, but it was a new concept at the outset of the 20th century. The paradox is that the doctrine is both a reversal of meaning and retention of opposites together. Over the course of the 20th century, we became habituated to such thinking, namely, that a thing automatically engenders its opposite and is both things at once. For instance, what used to be called the War on Poverty, meant to help those suffering deprivation, is now also its reverse: literally a war on the poverty-stricken. Similarly, the War on Drugs, meant to eradicate drug use as a social ill, is also quite literally a war against drug users, who are a large and improper part of the bloated U.S. prison population. Reduction of government services to the poor and rampant victim-blaming demonstrate that programs once meant to assist those in need now often instead leave them to fend for themselves, or worse, pile on with criminal charges. Disinformation campaign about welfare cheats and the minimum wage are further examples of information being distorted and used to serve an unwholesome agenda.

My conclusion is not yet ready to be drawn; it’s far too subtle to fit in a Tweet or even a series of blog posts. However, consider what it means when the language we use is laden with ironic twists that force recipients of any message to hold simultaneously forward/backward, up/down, left/right, and true/false meanings. Little can be established beyond reasonable doubt not just because so many of us have been poorly served by educational institutions (or is it the students themselves — sort of a chicken-and-egg question) more interested in business and credentialing than teaching and learning that few possess the ability to assess and evaluate information (ironically, from a variety of perspectives) being spun and spoon fed to us by omnimedia but because the essential underlying structure of language and communications has been corrupted by disembedding, decontextualization, and deconstruction that relegate reality to something to be dreamt up and then used to convince others. In the end, of course, we’re only fooling ourselves.

At last, getting to my much, much delayed final book blogs (three parts) on Iain McGilchrist’s The Master and His Emissary. The book came out in 2010, I picked it up in 2012 (as memory serves), and it took me nearly two years to read its entirety, during which time I blogged my observations. I knew at the time of my previous post on the book that there would be more to say, and it’s taken considerable time to get back to it.

McGilchrist ends with a withering criticism of the Modern and Postmodern (PoMo) Eras, which I characterized as an account of how the world went mad. That still seems accurate to me: the madness that overtook us in the Modern Era led to world wars, genocides, and systematic reduction of humanity to mere material and mechanism, what Ortega y Gasset called Mass Man. Reduction of the rest of the living world to resources to be harvested and exploited by us is a worldview often called instrumental reality. From my armchair, I sense that our societal madness has shape-shifted a few times since the fin de siècle 1880s and 90s. Let’s start with quotes from McGilchrist before I extend into my own analysis. Here is one of his many descriptions of the left-hemisphere paradigm under which we now operate:

In his book on the subject, Modernity and Self-identity, Anthony Giddens describes the characteristic disruption of space and time required by globalisation, itself the necessary consequence of industrial capitalism, which destroys the sense of belonging, and ultimately of individual identity. He refers to what he calls ‘disembedding mechanisms’, the effect of which is to separate things from their context, and ourselves from the uniqueness of place, what he calls ‘locale’. Real things and experiences are replaced by symbolic tokens; ‘expert’ systems replace local know-how and skill with a centralised process dependent on rules. He sees a dangerous form of positive feedback, whereby theoretical positions, once promulgated, dictate the reality that comes about, since they are then fed back to us through the media, which form, as much as reflect, reality. The media also promote fragmentation by a random juxtaposition of items of information, as well as permitting the ‘intrusion of distant events into everyday consciousness’, another aspect of decontextualisation in modern life adding to loss of meaning in the experienced world. [p. 390]

Reliance on abstract, decontextualized tokens having only figurative, nonintrinsic power and meaning is a specific sort of distancing, isolation, and reduction that describes much of modern life and shares many characteristics with schizophrenia, as McGilchrist points out throughout the chapter. That was the first shape-shift of our madness: full-blown mechanization borne out of reductionism and materialism, perspectives bequeathed to us by science. The slow process had been underway since the invention of the mechanical clock and discovery of heliocentrism, but it gained steam (pun intended) as the Industrial Revolution matured in the late 19th century.

The PoMo Era is recognized as having begun just after the middle of the 20th century, though its attributes are questionably defined or understood. That said, the most damning criticism leveled at PoMo is its hall-of-mirrors effect that renders objects in the mirrors meaningless because the original reference point is obscured or lost. McGilchrist also refers repeatedly to loss of meaning resulting from the ironizing effect of left-brain dominance. The corresponding academic fad was PoMo literary criticism (deconstruction) in the 1970s, but it had antecedents in quantum theory. Here is McGilchrist on PoMo:

With post-modernism, meaning drains away. Art becomes a game in which the emptiness of a wholly insubstantial world, in which there is nothing beyond the set of terms we have in vain used to ‘construct’ mean, is allowed to speak for its own vacuity. The set of terms are now seen simply to refer to themselves. They have lost transparency; and all conditions that would yield meaning have been ironized out of existence. [pp. 422–423]

This was the second shape-shift: loss of meaning in the middle of the 20th century as purely theoretical formulations, which is to say, abstraction, gained adherents. He goes on:

Over-awareness … alienates us from the world and leads to a belief that only we, or our thought processes, are real … The detached, unmoving, unmoved observer feels that the world loses reality, becomes merely ‘things seen’. Attention is focussed on the field of consciousness itself, not on the world beyond, and we seem to experience experience … [In hyperconsciousness, elements] of the self and of experience which normally remain, and need to remain, intuitive, unconscious, become the objects of a detached, alienating attention, the levels of consciousness multiply, so that there is an awareness of one’s own awareness, and so on. The result of this is a sort of paralysis, in which even everyday ‘automatic’ actions such as moving one leg in front of another in order to walk can become problematic … The effect of hyperconsciousness is to produce a flight from the body and from its attendant emotions. [pp. 394–396]

Having devoted a fair amount of my intellectual life to trying to understand consciousness, I immediately recognized the discussion of hyperconsciousness (derived from Louis Sass) as what I often call recursion error, where consciousness becomes the object of its own contemplation, with obvious consequences. Modern, first-world people all suffer from this effect to varying degrees because that is how modern consciousness is warped shaped.

I believe we can observe now two more characteristic extensions or variations of our madness, probably overlapping, not discrete, following closely on each other: the Ironic and Post-Ironic. The characteristics are these:

  • Modern — reductive, mechanistic, instrumental interpretation of reality
  • Postmodern — self-referential (recursive) and meaningless reality
  • Ironic — reversed reality
  • Post-Ironic — multiplicity of competing meanings/narratives, multiple realities

All this is quite enough to the chew on for a start. I plan to continue in pts. 2 and 3 with description of the Ironic and Post-Ironic.

Returning at last to Spengler’s The Decline of the West, the first chapter, following several prefaces and an introduction, begins with several terms helpfully defined, or more properly, redefined, as they differ subtly or substantially from their standard meanings. The definitions appear to be an interpolation from somewhere in the original 2-vol. German work other than the start of Chap. 1. The preface (can’t recall which one) indicates that to condense the larger work into one volume, many passages were dropped and some were shifted, moved material typically being shown using either brackets or italics.

Some philosophies distinguish between being and becoming, whereas Spengler prefers Goethe’s terms: become and becoming. Several of Spengler’s ideas thus far hinge on temporal distinctions between past, present, and future, which was the germ behind my preliminary book-blogging post on Decline called “Past and Prospect.” I observe that the fleetingness of the momentary present, always shifting forward, inevitably yields to both the (relative) fixity of the past and the unboundedness of the future. Spengler doesn’t really say it manifestly, but I sense his awareness that human experience and thus philosophy is hopelessly time-bound, which he calls at different points directedness and extensibility. Spengler also uses proper and alien to distinguish between inner life (or inwardness) as opposed to perception (or outer life). I’ve yet to read far enough beyond these definitions to see them deployed consistently, but the subtleties are not lost on me.

Spengler also discusses the world as history as distinct from the world as nature, where historical understanding is intuitive and inward but an understanding according to nature is mechanistic, cognized, and reduced to a system, meaning abstracted in thought. These categories are perhaps familiar to readers of this blog from my previous book-blogging on The Master and His Emissary by Iain McGilchrist. The main difference is that McGilchrist finds that the intuitive and inward form into a Gestalt or whole. It’s worth mentioning, too, that the world as nature carries a meaning nearly opposite from what eco-warriors and doomers might suspect.

Curiously, considering my primary interest with this blog, Spengler takes a crack at defining consciousness:

Human consciousness is identical with the opposition between the soul and the world. There are gradations in consciousness, varying from a dim perception, sometimes suffused by an inner light, to an extreme sharpness of pure reason that we find in the thought of Kant, for whom soul and world have become subject and object. This elementary structure of consciousness is not capable of further analysis; both factors are always present together and appear as a unity.

This compact paragraph hits upon several of the features of consciousness I have brought forward and discussed at admittedly modest length. For instance, I have referred repeatedly to the subject-object distinction as being one of the primary attributes of modern consciousness, which began to coalesce sometime around the third century BCE. It’s not something I want to revisit here, but it is curious that this particular understanding of modern consciousness follows Spengler by some 50 years, initially in the work of Julian Jaynes, the latter of whom seems to have launched a psychological-anthropological-philosophical subscience called historical consciousness. To the uninitiated, the bullet is that we humans did not always think the way we do now with respect to time, place, identity, ego boundaries, etc. Consciousness adapts, and it took time for the mind and culture to develop to where we now are.

Dissatisfaction with my provisional definition of consciousness — provided under challenge — in the comments to this post are echoed by Spengler when he asserts that subject and object are indivisible and lie beyond analysis. While this is probably true, it seems pointless to first assert that “consciousness is identical with …” and then punt, handily placing the subject beyond further inquiry. This rhetorical trick is familiar in other contexts, such as where hope and faith substitute for real understanding at the same time that concentrated study is endlessly fascinating and can award considerable expertise. To abjure, placing some of the most interesting areas of intellectual inquiry beyond approach considering our present infantile state of understanding, might seem judicious, but then we would never develop our understanding of anything. Perhaps that is ultimately better, since we’ve used our meticulous (though still partial and woefully short-sighted) understanding of material processes rather unwisely (to say the least). But understanding history, culture, philosophy, or consciousness invites far less unscrupulous manipulation than with, say, fossil fuels or fiat currencies.

Returning to The Master and His Emissary by Iain McGilchrist, I finished reading the book some while back (took more than two years, I think) but have two or three more blog posts to finish off my book blogging project. Warning: this is another long post.

Part One of the book is about the divided brain: its structural and functional attributes that make us who we are. This presumes identity resides mostly in the brain/mind rather than the body (probably my presumption, not McGilchrist’s). Part Two is how the brain shaped our world, referring more to human history, institutions, and values than physical setting, though that, too, is an outgrowth of our brain structure in light of how thoroughly mankind has shaped and engineered his own environment. Part Two traces through history from the ancient world to the Renaissance, the Reformation (and Counter-Reformation), the Enlightenment, Romanticism, the Industrial Revolution, and finally to the linked Modern and Postmodern worlds. (McGilchrist uses the form Post-Modern, which I will shorten to PoMo).

I had expected to be far more comfortable with Part Two than Part One owing to my greater familiarity with themes of human history and Western culture than with brain structure and function. It surprised me how much Part Two also discusses brain structure, but in hindsight, that makes good sense because the book’s thesis is that brain structure has had substantial influence on all of Western culture. What really surprised me, however, is that the section on Modernism and PoMo affords McGilchrist the opportunity to launch into a sustained harangue. Indeed, given the virulence of his attack, it felt like the book up to that point was merely a set-up to lay foundation for a rant fulminating in McGilchrist’s mind all along.

We have learned plenty in the last eighty or more years about the brain on drugs, both recreational (caffeine, alcohol, opium, cannabis, cocaine, crack, ecstasy, etc.) and psychiatric (Quaaludes, Valium, Zoloft, Prozac, Lithium, etc.). McGilchrist provides a withering account of what the brain is like on PoMo (a late-stage intensification of Modernism, really), which now constitutes our basic operating instructions or deep culture. The account includes a comparison of the PoMo mind with the aberrant psyche of schizophrenia, drawing heavily on the work of Louis Sass. Here is McGilchrist’s not-so-brief recap of right-brain (the Master) damaged individuals, defaulting excessive processing control to the left brain (the Emissary):

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