Most poets in the West believe that some sort of democracy is preferable to any sort of totalitarian state and accept certain political obligations … but I cannot think of a single poet of consequence whose work does not, either directly or by implication, condemn modern civilisation as an irremediable mistake, a bad world which we have to endure because it is there and no one knows how it could be made into a better one, but in which we can only retain our humanity in the degree to which we resist its pressures. — W.H. Auden
A while back, I made an oblique reference (a comment elsewhere, no link) to a famous Krishnamurti quote: “It is no measure of health to be well adjusted to a profoundly sick society.” Taken on its face, who would agree to be swept up in the madness and absurdity of any given historical moment? Turns out, almost everyone — even if that means self-destruction. The brief reply to my comment was along the lines of “Why shouldn’t you or I also make mental adjustments to prevailing sickness to obtain peace of mind and tranquility amidst the tumult?” Such an inversion of what seems to me right, proper, and acceptable caused me to reflect and recall the satirical movie Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. The full title is not often given, but the forgotten second part is what’s instructive (e.g., mutually assured destruction: MAD). Events spinning out of control? Nothing any individual can do to restore sanity? Stop squirming and embrace it.
That’s one option when faced with the prospect of futile resistance, I suppose. Give in, succumb, and join the party (more like a rager since the beginning of the Cold War). I also recognize that I’m not special enough to warrant any particular consideration for my intransigence. Yet it feels like self-betrayal to abandon the good character I’ve struggled (with mixed success) to build and maintain over the course of a lifetime. Why chuck all that now? Distinguishing character growth from decay it not always so simple. In addition, given my openness to new ideas and interpretations, established bodies of thought (often cultural consensus) are sometimes upended and destabilized by someone arguing cogently for or against something settled and unexamined for a long time. And then there is the epistemological crisis that has rendered sense-making nearly impossible. That crisis is intensified by a variety of character types acting in bad faith to pollute the public sphere and drive false narratives.
For instance, the show trial public hearings just begun regarding the January 6 attack on the U.S. Capitol (or whatever it’s being called, I prefer “Storming of the Capitol”) are commonly understood, at least from one side of the political spectrum, as a deliberate and brazen attempt to brainwash the public. I decline to tune in. But that doesn’t mean my opinions on that topic are secure any more than I know how true and accurate was the 2020 election that preceded and sparked the Jan. 6 attack. Multiple accounts of the election and subsequent attack aim to convert me (opinion-wise) to one exclusive narrative or another, but I have no way to evaluate narrative claims beyond whatever noise reaches me through the mainstream media I try to ignore. Indeed, those in the streets and Capitol building on Jan. 6 were arguably swept into a narrative maelstrom that provoked a fairly radical if ultimately harmless event. No one knew at the time, of course, exactly how it would play out.
So that’s the current state of play. Ridiculous, absurd events, each with competing narratives, have become the new normal. Yours facts and beliefs do daily battle with my facts and beliefs in an ideological battle of all against all — at least until individuals form into tribes declare their political identity and join that absurdity.