Let me first restate axioms developed in previous blog posts. Narrative is the essential outward form of consciousness. Cognition has many preverbal and nonverbal subtleties, but the exchange of ideas occurs predominantly through narrative, and the story of self (told to oneself) can be understood as stream of consciousness: ongoing self-narration of sensations and events. The principal characteristic of narrative, at least that which is not pure fantasy, is in-the-moment sufficiency. Snap-judgment heuristics are merely temporary placeholders until, ideally at least, thoughtful reconsideration and revision that take time and discernment can be brought to bear. Stories we tell and are told, however, often do not reflect reality well, partly because our perceptual apparatuses are flawed, partly because individuals are untrained and unskilled in critical thinking (or overtrained and distorted), and partly because stories are polluted with emotions that make clear assessments impossible (to say nothing of malefactors with agendas). Some of us struggle to remove confabulation from narrative (as best we can) whereas others embrace it because it’s emotionally gratifying.
A good example of the reality principle is recognition, similar to the 1970s energy crisis, that energy supplies don’t magically appear by simply digging and drilling more of the stuff out of the ground. Those easy-to-get resources have been plundered already. The term peak oil refers to eventual decline in energy production (harvesting, really) when the easy stuff is more than half gone and undiminished (read: increasing) demand impels energy companies to go in search of more exotic supply (e.g., underwater or embedded in shale). If that reality is dissatisfying, a host of dreamt-up stories offer us deliverance from inevitable decline and reduction of lifestyle prerogatives by positing extravagant resources in renewables, hydrogen fuel cells, fusion (not to be confused with fission), or as-yet unexploited regions such as The Arctic National Wildlife Refuge. None of these represent plausible realities (except going into heretofore protected regions and bringing ecological devastation).
The relationship of fictional stories to reality is quite complex. For this blog post, a radically narrow description is that fiction is the imaginary space whereas ideas can be tried out and explored safely in preparation for implementation in reality. Science fiction (i.e., imagining interstellar space travel despite its flat impossibility in Newtonian physics) is a good example. Some believe humans can eventually accomplish what’s depicted in sci-fi, and in certain limited examples we already have. But many sci-fi stories simply don’t present a plausible reality. Taken as vicarious entertainment, they’re AOK superfine with me. But given that Western cultures (I can’t opine on cultures outside the West) have veered dangerously into rank ideation and believing their own hype, too many people believe fervently in aspirational futures that have no hope of ever instantiating. Just like giant pools of oil hidden under the Rocky Mountains (to cite something sent to me just today offering illusory relief from skyrocketing gasoline prices).
Among the many genres of narrative now on offer in fiction, no better example of sought-after-power is the superhero story. Identifying with the technological and financial power of Ironman and Batman or the god-powers of Thor and Wonder Woman is thrilling, perhaps, but again, these are not plausible realities. Yet these superrich, superstrong, superintelligent superheros are everywhere in fiction, attesting to liminal awareness of lack of power and indeed frailty. Many superhero stories are couched as coming-of-age stories for girls, who with grit and determination can fight toe-to-toe with any man and dominate. (Too many BS examples to cite.) Helps, of course, if the girl has magic at her disposal. Gawd, do I tire of these stories, told as origins in suffering, acquisition of skills, and coming into one’s own with the mature ability to force one’s will on others, often in the form of straight-up killing and assassination. Judge, jury, and executioner all rolled into one but entirely acceptable vigilantism if done wearing a supersuit and claiming spurious, self-appointed moral authority.
There are better narratives that don’t conflate power with force or lack plausibility in the world we actually inhabit. In a rather complicated article by Adam Tooze entitled “John Mearsheimer and the Dark Origins of Realism” at The New Statesman, after a lengthy historical and geopolitical analysis of competing narratives, a mode of apprehending reality is described:
… adopting a realistic approach towards the world does not consist in always reaching for a well-worn toolkit of timeless verities, nor does it consist in affecting a hard-boiled attitude so as to inoculate oneself forever against liberal enthusiasm. Realism, taken seriously, entails a never-ending cognitive and emotional challenge. It involves a minute-by-minute struggle to understand a complex and constantly evolving world, in which we are ourselves immersed, a world that we can, to a degree, influence and change, but which constantly challenges our categories and the definitions of our interests. And in that struggle for realism – the never-ending task of sensibly defining interests and pursuing them as best we can – to resort to war, by any side, should be acknowledged for what it is. It should not be normalised as the logical and obvious reaction to given circumstances, but recognised as a radical and perilous act, fraught with moral consequences. Any thinker or politician too callous or shallow to face that stark reality, should be judged accordingly.