Archive for the ‘Media’ Category

I revisit my old blog posts when I see some reader activity in the WordPress backstage and was curious to recall a long quote of Iain McGilchrist summarizing arguments put forth by Anthony Giddens in his book Modernity and Self-identity (1991). Giddens had presaged recent cultural developments, namely, the radicalization of nativists, supremacists, Social Justice Warriors (SJWs), and others distorted by absorbed in identity politics. So I traipsed off to the Chicago Public Library (CPL) and sought out the book to read. Regrettably, CPL didn’t have a copy, so I settled on a slightly earlier book, The Consequences of Modernity (1990), which is based on a series of lectures delivered at Stanford University in 1988.

Straight away, the introduction provides a passage that goes to the heart of matters with which I’ve been preoccupied:

Today, in the late twentieth century, it is argued by many, we stand at the opening of a new era … which is taking us beyond modernity itself. A dazzling variety of terms has been suggested to refer to this transition, a few of which refer positively to the emergence of a new type of social system (such as the “information society” or the “consumer society”) but most of which suggest rather than a preceding state of affairs is drawing to a close … Some of the debates about these matters concentrate mainly upon institutional transformations, particularly those which propose that we are moving from a system based upon the manufacture of material goods to one concerned more centrally with information. More commonly, however, those controversies are focused largely upon issues of philosophy and epistemology. This is the characteristic outlook, for example, of the the author who has been primarily responsible for popularising the notion of post-modernity, Jean-François Lyotard. As he represents it, post-modernity refers to a shift away from attempts to ground epistemology and from from faith in humanly engineered progress. The condition of post-modernity is distinguished by an evaporating of the “grand narrative” — the overarching “story line” by means of which we are placed in history as being having a definite past and a predictable future. The post-modern outlook sees a plurality of heterogeneous claims to knowledge, in which science does not have a privileged place. [pp. 1–2, emphasis added]

That’s a lot to unpack all at once, but the fascinating thing is that notions now manifesting darkly in the marketplace of ideas were already in the air in the late 1980s. Significantly, this was several years still before the Internet brought the so-called Information Highway to computer users, before the cell phone and smart phone were developed, and before social media displaced traditional media (TV was only 30–40 years old but had previously transformed our information environment) as the principal way people gather news. I suspect that Giddens has more recent work that accounts for the catalyzing effect of the digital era (including mobile media) on culture, but for the moment, I’m interested in the book in hand.

Regular readers of this blog (I know of one or two) already know my armchair social criticism directed to our developing epistemological crisis (challenges to authority and expertise, psychotic knowledge, fake news, alternative facts, dissolving reality, and science denial) as well as the Transhumanist fantasy of becoming pure thought (once we evolve beyond our bodies). Until that’s accomplished with imagined technology, we increasingly live in our heads, in the abstract, disoriented and adrift on a bewildering sea of competing narratives. Moreover, I’ve stated repeatedly that highly mutable story (or narrative) underlie human cognition and consciousness, making most of us easy marks for charismatic thought leaders storytellers. Giddens was there nearly 30 years ago with these same ideas, though his terms differ.

Giddens dispels the idea of post-modernity and insists that, from a sociological perspective, the current period is better described as high modernism. This reminds me of Oswald Spengler and my abandoned book blogging of The Decline of the West. It’s unimportant to me who got it more correct but note that the term Postmodernism has been adopted widely despite its inaccuracy (at least according to Giddens). As I get further into the book, I’ll have plenty more to say.

Advertisements

This is the inverse of a prior post called “Truth Based on Fiction.”

Telling stories about ourselves is one of the most basic of human attributes stretching across oral and recorded history. We continue today to memorialize events in short, compact tellings, frequently movies depicting real-life events. I caught two such films recently: Truth (about what came to be known as Rathergate) and Snowden (about whistle-blower Edward Snowden).

Although Dan Rather is the famous figure associated with Truth, the story focuses more on his producer Mary Mapes and the group decisions leading to airing of a controversial news report about George W. Bush’s time in the Air National Guard. The film is a dramatization, not a documentary, and so is free to present the story with its own perspective and some embellishment. Since I’m not a news junkie, my memory of the events in 2004 surrounding the controversy are not especially well informed, and I didn’t mind the potential for the movie’s version of events to color my thinking. About some controversies and conspiracies, I feel no particular demand to adopt a strong position. The actors did well enough, but I felt Robert Redford was poorly cast as Dan Rather. Redford is too famous in his own right to succeed as a character actor playing a real-life person.

Debate over the patriotism or treason of Edward Snowden’s actions continues to swirl, but the film covers the issues pretty well, from his discovery of an intelligence services surveillance dragnet (in violation of the 4th Amendment to the U.S. Constitution) to his eventual disclosure of same to a few well-respected journalists. The film’s director and joint screenwriter, Oliver Stone, has made a career out of fiction based on truth, dramatizing many signal events from the nation’s history, repackaging them as entertainment in the process. I’m wary of his interpretations of history when presented in cinematic form, less so his alternative history lessons given as documentary. Unlike Truth, however, I have clear ideas in my mind regarding Snowden the man and Snowden the movie, so from a different standpoint, was again unconcerned about potential bias. Joseph Gordon-Levitt does well enough as the titular character, though he doesn’t project nearly the same insight and keen intelligence as Snowden himself does. I suspect the documentary Citizen Four (which I’ve not yet seen) featuring Snowden doing his own talking is a far better telling of the same episode of history.

In contrast, I have assiduously avoided several other recent films based on actual events. United 93, World Trade Center, and Deepwater Horizon spring to mind, but there are many others. The wounds and controversies stemming from those real-life events still smart too much for me to consider exposing myself to propaganda historical fictions. Perhaps in a few decades, after living memory of such events has faded or disappeared entirely, such stories can be told effectively, though probably not accurately. A useful comparison might be any one of several films called The Alamo.

Back in undergraduate college, when just starting on my music education degree, I received an assignment where students were asked to formulate a philosophy of education. My thinking then was influenced by a curious textbook I picked up: A Philosophy of Music Education by Bennett Reimer. Of course, it was the wrong time for an undergraduate to perform this exercise, as we had neither maturity nor understanding equal to the task. However, in my naïvté, my answer was all about learning/teaching an aesthetic education — one that focused on appreciating beauty in music and the fine arts. This requires the cultivation of taste, which used to be commonplace among the educated but is now anathema. Money is the preeminent value now. Moreover, anything that smacks of cultural programming and thought control is now repudiated reflexively, though such projects are nonetheless undertaken continuously and surreptitiously through a variety of mechanisms. As a result, the typical American’s sense of what is beautiful and admirable is stunted. Further, knowledge of the historical context in which the fine arts exist is largely absent. (Children are ahistorical in this same way.) Accordingly, many Americans are coarse philistines whose tastes rarely extend beyond those acquired naturally during adolescence (including both biophilia and biophobia), thus the immense popularity of comic book movies, rock and roll music, and all manner of electronica.

When operating with a limited imagination and undeveloped ability to perceive and discern (and disapprove), one is a sitting duck for what ought to be totally unconvincing displays of empty technical prowess. Mere mechanism (spectacle) then possesses the power to transfix and amaze credulous audiences. Thus, the ear-splitting volume of amplified instruments substitutes for true emotional energy produced in exceptional live performance, ubiquitous CGI imagery (vistas and character movements, e.g., fight skills, that simply don’t exist in reality) in cinema produces wonderment, and especially, blinking lights and animated GIFs deliver the equivalent of a sugar hit (cookies, ice cream, soda) when they’re really placebos or toxins. Like hypnosis, the placebo effect is real and pronounced for those unusually susceptible to induction. Sitting ducks.

Having given the fine arts (including their historical contexts) a great deal of my academic attention and acquired an aesthetic education, my response to the video below fell well short of the blasé relativism most exhibit; I actively dislike it. (more…)

I have just one previous blog post referencing Daniel Siegel’s book Mind and threatened to put the book aside owing to how badly it’s written. I haven’t yet turned in my library copy and have made only modest additional progress reading the book. However, Siegel came up over at How to Save the World, where at least one commentator was quite enthusiastic about Siegel’s work. In my comment there, I mentioned the book only to suggest that his appreciation of the relational nature of the mind (and cognition) reinforces my long-held intuition that the self doesn’t exist in an idealized vacuum, capable of modeling and eventually downloading to a computer or some other Transhumanist nonsense, but is instead situated as much between us as within us. So despite Siegel’s clumsy writing, this worthwhile concept deserves support.

Siegel goes on to wonder (without saying he believes it to be true — a disingenuous gambit) that perhaps there exists an information field, not unlike the magnetic field or portions of the light spectrum, that affects us yet falls outside the scope of our direct perception or awareness. Credulous readers might leap to the conclusion that the storied collective consciousness is real. Some fairly trippy theories of consciousness propose that the mind is actually more like an antenna receiving signals from some noncorporeal realm (e.g., a quantum dimension) we cannot identify yet tap into constantly, measuring against and aligning with the wider milieu in which we function. Even without expertise in zoology, one must admit that humans are social creatures operating at various levels of hierarchy including individual, family, clan, pack, tribe, nation-state, etc. We’re less like mindless drones in a hive (well, some of us) and more like voluntary and involuntary members of gangs or communities formed along various familial, ethnic, regional, national, language group, and ideological lines. Unlike Siegel, I’m perfectly content with existing terminology and feel no compulsion to coin new lingo or adopt unwieldy acronyms to mark my territory.

What Siegel hasn’t offered is an observation on how our reliance on and indebtedness to the public sphere (via socialization) have changed with time as our mode of social organization has morphed from a predominantly localized, agrarian existence prior to the 20th century to a networked, high-density, information-saturated urban and suburban existence in the 21st century. The public sphere was always out there, of course, especially as embodied in books, periodicals, pamphlets, and broadsides (if one was literate and had reliable access to them), but the unparalleled access we now enjoy through various electronic devices has not only reoriented but disoriented us. Formerly slow, isolated information flow has become a veritable torrent or deluge. It’s not called the Information Age fer nuthin’. Furthermore, the bar to publication  — or insertion into the public sphere — has been lowered to practical nonexistence as the democratization of production has placed the tools of widely distributed exposure into the hands of everyone with a blog (like mine) or Facebook/Instagram/Twitter/Pinterest/LinkedIn account. As a result, a deep erosion of authority has occurred, since any yahoo can promulgate the most reckless, uninformed (and disinformed) opinions. The public’s attention riveted on celebrity gossip and House of Cards-style political wrangling, false narratives, fake news, alternative facts, and disinformation also make navigating the public sphere with much integrity impossible for most. For instance, the MSN and alternative media alike are busy selling a bizarre pageant of Russian collusion and interference with recent U.S. elections as though the U.S. were somehow innocent of even worse meddling abroad. Moreover, it’s naïve to think that the public sphere in the U.S. isn’t already completely contaminated from within by hucksters, corporations (including news media), and government entities with agendas ranging from mere profit seeking to nefarious deployment and consolidation of state power. For example, the oil and tobacco industries and the Bush Administration all succeeded in suppressing truth and selling rank lies that have landed us in various morasses from which there appears to be no escape.

If one recognizes his or her vulnerability to the depredations of info scammers of all types and wishes to protect oneself, there are two competing strategies: insulation and inoculation. Insulation means avoiding exposure, typically by virtue of mind-cleansing behaviors, whereas inoculation means seeking exposure in small, harmless doses so that one can handle a larger infectious attack. It’s a medical metaphor that springs from meme theory, where ideas propagate like viruses, hence, the notion of a meme “going viral.” Neither approach is foolproof. Insulation means plugging one’s ears or burying one’s head in the sand at some level. Inoculation risks spreading the infection. If one regards education as an inoculation of sorts, seeking more information of the right types from authoritative sources should provide means to combat the noise in the information signals received. However, as much as I love the idea of an educated, informed public, I’ve never regarded education as a panacea. It’s probably a precondition for sound thinking, but higher education in particular has sent an entire generation scrambling down the path of identity politics, which sounds like good ideas but leads inevitably to corruption via abstraction. That’s all wishful thinking, though; the public sphere we actually witness has gone haywire, a condition of late modernism and late-stage capitalism that has no known antidote. Enjoy the ride!

I pull in my share of information about current events and geopolitics despite a practiced inattention to mainstream media and its noisome nonsense. (See here for another who turned off the MSM.) I read or heard somewhere (can’t remember where) that most news outlets and indeed most other media, to drive traffic, now function as outrage engines, generating no small amount of righteousness, indignation, anger, and frustration at all the things so egregiously wrong in our neighborhoods, communities, regions, and across the world. These are all negative emotions, though legitimate responses to various scourges plaguing us currently, many of which are self-inflicted. It’s enough aggregate awfulness to draw people into the street again in principled protest, dissent, and resistance; it’s not yet enough to effect change. Alan Jacobs comments about outrage engines, noting that sharing via retweets is not the same as caring. In the Age of Irony, a decontextualized “yo, check this out!” is nearly as likely to be interpreted as support rather than condemnation (or mere gawking for entertainment value). Moreover, pointing, linking, and retweeting are each costless versions of virtue signaling. True virtue makes no object of publicity.

So where do I get my outrage quotient satisfied? Here is a modest linkfest, in no particular order, of sites not already on my blogroll. I don’t habituate these sites daily, but I drop in, often skimming, enough to keep abreast of themes and events of importance. (more…)

The Internet is now a little more than two decades old (far more actually, but I’m thinking of its widespread adoption). Of late, it’s abundantly clear that, in addition to being a wholesale change in the way we disseminate and gather information and conduct business, we’re running live social experiments bearing psychological influence, some subtle, some invasive, much like the introduction of other media such as radio, cinema, and TV back in the day. About six years ago, psychologists coined the term digital crowding, which I just discovered, referring to an oppressive sense of knowing too much about people, which in turn provokes antisocial reactions. In effect, it’s part of the Dark Side of social media (trolling and comments sections being other examples), one of numerous live social experiments.

I’ve given voice to this oppressive knowing-too-much on occasion by wondering why, for instance, I know anything — largely against my will, mind you — about the Kardashians and Jenners. This is not the sole domain of celebrities and reality TV folks but indeed anyone who tends to overshare online, typically via social media such as Facebook, less typically in the celebrity news media. Think of digital crowding as the equivalent of seeing something you would really prefer not to have seen, something no amount of figurative eye bleach can erase, something that now simply resides in your mind forever. It’s the bell that can’t be unrung. The crowding aspect is that now everyone’s dirty laundry is getting aired simultaneously, creating pushback and defensive postures.

One might recognize in this the familiar complaint of Too Much Information (TMI), except that the information in question is not the discomfiting stuff such as personal hygiene, medical conditions, or sexual behaviors. Rather, it’s an unexpected over-awareness of everyone’s daily minutiae as news of it presses for attention and penetrates our defenses. Add it to the deluge that is causing some of us to adopt information avoidance.

I often review my past posts when one receives a reader’s attention, sometimes adding tags and fixing typos, grammar, and broken links. One on my greatest hits (based on voting, not traffic) is Low Points in Education. It was among the first to tackle what I have since called our epistemological crisis, though I didn’t begin to use the epistemology tag until later. The crisis has caught up with a vengeance, though I can’t claim I’m the first to observe the problem. That dubious honor probably goes to Stephen Colbert, who coined the word truthiness in 2005. Now that alternative facts and fake news have entered the lingo as well (gaslighting has been revived), everyone has jumped on the bandwagon questioning the truthfulness or falsity behind anything coughed up in our media-saturated information environment. But as suggested in the first item discussed in Low Points in Education, what’s so important about truth?

It would be obvious and easy yet futile to argue in favor of high-fidelity appreciation of the world, even if only within the surprisingly narrow limits of human perception, cognition, and memory (all interrelated). Numerous fields of endeavor rely upon consensus reality derived from objectivity, measurement, reason, logic, and, dare I say it, facticity. Regrettably, human cognition doesn’t adhere any too closely to those ideals except when trained to value them. Well-educated folks have better acquaintance with such habits of mind; folks with formidable native intelligence can develop true authority, too. For the masses, however, those attributes are elusive, even for those who have partied through earned college degrees. Ironically worse, perhaps, are specialists, experts, and overly analytical intellectuals who exhibit what the French call a déformation professionelle. Politicians, pundits, and journalists are chief among the deformed and distorted. Mounting challenges to establishing truth now destabilize even mundane matters of fact, and it doesn’t help that myriad high-profile provocateurs (including the Commander in Chief, to whom I will henceforth refer only as “45”) are constantly throwing out bones for journalists to chase like so many unnourishing rubber chew toys.

Let me suggest, then, that human cognition, or more generally the mind, is an ongoing balancing act, making adjustments to stay upright and sane. Like the routine balance one keeps during locomotion, shifting weight side to side continuously, falling a bit only to catch oneself, difficulty is not especially high. But with the foundation below one’s feet shaking furiously, so to speak, legs get wobbly and many end up (figuratively at least) ass over teakettle. Further, the mind is highly situational, contingent, and improvisational and is prone to notoriously faulty perception even before one gets to marketing, spin, and arrant lies promulgated by those intent on coopting or directing one’s thinking. Simply put, we’re not particularly inclined toward accuracy but instead operate within a wide margin of error. Accordingly, we’re quite strong at adapting to ever-changing circumstance.

That strength turns out to be our downfall. Indeed, rootless adjustment to changing narrative is now so grave that basic errors of attribution — which entities said and did what — make it impossible to distinguish allies from adversaries reliably. (Orwell captured this with his line from the novel 1984, “Oceania was at war with Eurasia; therefore Oceania had always been at war with Eurasia.) Thus, on the back of a brazen propaganda campaign following 9/11, Iraq morphed from U.S. client state to rogue state demanding preemptive war. (Admittedly, the U.S. State Department had already lost control of its puppet despot, who in a foolish act of naked aggression tried to annex Kuwait, but that was a brief, earlier war quite unlike the undeclared one in which the U.S. has been mired for 16 years.) Even though Bush Administration lies have been unmasked and dispelled, many Americans continue to believe (incorrectly) that Iraq possessed WMDs and posed an existential threat to the U.S. The same type of confusion is arguably at work with respect to China, Russia, and Israel, which are mixed up in longstanding conflicts having significant U.S. involvement and provocation. Naturally, the default villain is always Them, never Us.

So we totter from moment to moment, reeling drunkenly from one breathtaking disclosure to the next, and are forced to reorient continuously in response to whatever the latest spin and spew happen to be. Some institutions retain the false sheen of respectability and authority, but for the most part, individuals are free to cherry-pick information and assemble their own truths, indulging along the way in conspiracy and muddle-headedness until at last almost no one can be reached anymore by logic and reason. This is our post-Postmodern world.

Nick Carr has an interesting blog post (late getting to it as usual) highlighting a problem with our current information environment. In short, the constant information feed to which many of us subscribe and read on smartphones, which I’ve frequently called a fire hose pointed indiscriminately at everyone, has become the new normal. And when it’s absent, people feel anxiety:

The near-universal compulsion of the present day is, as we all know and as behavioral studies prove, the incessant checking of the smartphone. As Begley notes, with a little poetic hyperbole, we all “feel compelled to check our phones before we get out of bed in the morning and constantly throughout the day, because FOMO — the fear of missing out — fills us with so much anxiety that it feels like fire ants swarming every neuron in our brain.” With its perpetually updating, tightly personalized messaging, networking, searching, and shopping apps, the smartphone creates the anxiety that it salves. It’s a machine almost perfectly designed to turn its owner into a compulsive … from a commercial standpoint, the smartphone is to compulsion what the cigarette pack was to addiction

I’ve written about this phenomenon plenty of times (see here for instance) and recommended that wizened folks might adopt a practiced media ecology by regularly turning one’s attention away from the feed (e.g., no mobile media). Obviously, that’s easier for some of us than others. Although my innate curiosity (shared by almost everyone, I might add) prompts me to gather quite a lot of information in the course of the day/week, I’ve learned to be restrictive and highly judgmental about what sources I read, printed text being far superior in most respects to audio or video. No social media at all, very little mainstream media, and very limited “fast media” of the type that rushes to publication before enough is known. Rather, periodicals (monthly or quarterly) and books, which have longer paths to publication, tend to be more thoughtful and reliable. If I could never again be exposed to noise newsbits with, say, the word “Kardashian,” that would be an improvement.

Also, being aware that the basic economic structure underlying media from the advent of radio and television is to provide content for free (interesting, entertaining, and hyperpalatable perhaps, but simultaneously pointless ephemera) in order to capture the attention of a large audience and then load up the channel with advertisements at regular intervals, I now use ad blockers and streaming media to avoid being swayed by the manufactured desire that flows from advertising. If a site won’t display its content without disabling the ad blocker, which is becoming more commonplace, then I don’t give it my attention. I can’t avoid all advertising, much like I can’t avoid my consumer behaviors being tracked and aggregated by retailers (and others), but I do better than most. For instance, I never saw any Super Bowl commercials this year, which have become a major part of the spectacle. Sure, I’m missing out, but I have no anxiety about it. I prefer to avoid colonization of my mind by advertisers in exchange for cheap titillation.

In the political news media, Rachel Maddow has caught on that it’s advantageous to ignore a good portion of the messages flung at the masses like so much monkey shit. A further suggestion is that because of the pathological narcissism of the new U.S. president, denial of the rapt attention he craves by reinforcing only the most reasonable conduct of the office might be worth a try. Such an experiment would be like the apocryphal story of students conditioning their professor to lecture with his/her back to the class by using positive/negative reinforcement, paying attention and being quiet only when his/her back was to them. Considering how much attention is trained on the Oval Office and its utterances, I doubt such an approach would be feasible even if it were only journalists attempting to channel behavior, but it’s a curious thought experiment.

All of this is to say that there are alternatives to being harried and harassed by insatiable desire for more information at all times. There is no actual peril to boredom, though we behave as though an idle mind is either wasteful or fearsome. Perhaps we aren’t well adapted — cognitively or culturally — to the deluge of information pressing on us in modern life, which could explain (partially) this age of anxiety when our safety, security, and material comforts are as good as they’ve ever been. I have other thoughts about what’s really missing in modern life, which I’ll save for another post.

I don’t have the patience or expertise to prepare and offer a detailed political analysis such as those I sometimes (not very often) read on other blogs. Besides, once the comments start filling up at those sites, every possible permutation is trotted out, muddying the initial or preferred interpretation with alternatives that make at least as much sense. They’re interesting brainstorming sessions, but I have to wonder what is accomplished.

My own back-of-the-envelope analysis is much simpler and probably no closer to (or farther from) being correct, what with everything being open to dispute. So the new POTUS was born in 1946, which puts the bulk of his boyhood in the 1950s, overlapping with the Eisenhower Administration. That period has lots of attributes, but the most significant (IMO), which would impact an adolescent, was the U.S. economy launching into the stratosphere, largely on the back of the manufacturing sector (e.g., automobiles, airplanes, TVs, etc.), and creating the American middle class. The interstate highway system also dates from that decade. Secondarily, there was a strong but misplaced sense of American moral leadership (one might also say authority or superiority), since we took (too much) credit for winning WWII.

However, it wasn’t great for everyone. Racism, misogyny, and other forms of bigotry were open and virulent. Still, if one was lucky to be a white, middle class male, things were arguably about as good as they would get, which many remember rather fondly, either through rose-colored glasses or otherwise. POTUS as a boy wasn’t middle class, but the culture around him supported a worldview that he embodies even now. He’s also never been an industrialist, but he is a real estate developer (some would say slumlord) and media figure, and his models are taken from the 1950s.

The decade of my boyhood was the 1970s, which were the Nixon, Ford, and Carter Administrations. Everyone could sense the wheels were already coming off the bus, and white male entitlement was far diminished from previous decades. The Rust Belt was already a thing. Like children from the 1950s forward, however, I spent a lot of time in front of the TV. Much of it was goofy fun such as Gilligan’s Island, The Brady Bunch, and interestingly enough, Happy Days. It was innocent stuff. What are the chances that, as a boy plopped in front of the TV, POTUS would have seen the show below (excerpted) and taken special notice considering that the character shares his surname?

Snopes confirms that this a real episode from the TV show Trackdown. Not nearly as innocent as the shows I watched. The coincidences that the character is a con man, promises to build a wall, and claims to be the only person who can save the town are eerie, to say the least. Could that TV show be lodged in the back of POTUS’ brain, along with so many other boyhood memories, misremembered and revised the way memory tends to do?

Some have said that the great economic expansion of the 1950s and 60s was an anomaly. A constellation of conditions configured to produce an historical effect, a Golden Era by some reckonings, that cannot be repeated. We simply cannot return to an industrial or manufacturing economy that had once (arguably) made America great. And besides, the attempt would accelerate the collapse of the ecosystem, which is already in free fall. Yet that appears to be the intention of POTUS, whose early regression to childhood is a threat to us all.

I see plenty of movies over the course of a year but had not been to a theater since The Force Awakens came out slightly over a year ago. The reason is simple: it costs too much. With ticket prices nearing $15 and what for me had been obligatory popcorn and soda (too much of both the way they’re bundled and sold — ask anyone desperately holding back their pee until the credits roll!), the endeavor climbed to nearly $30 just for one person. Never mind that movie budgets now top $100 million routinely; the movie-going experience simply isn’t worth $30 a pop. Opening weekend crowds (and costumes)? Fuggedaboudit! Instead, I view films at home on DVD (phooey on Blueray) or via a streaming service. Although I admit I’m missing out on being part of an audience, which offers the possibility of being carried away on a wave of crowd emotion, I’m perfectly happy watching at home, especially considering most films are forgettable fluff (or worse) and filmmakers seem to have forgotten how to shape and tell good stories. So a friend dragged me out to see Rogue One, somewhat late after its opening by most standards. Seeing Star Wars and other franchise installments now feels like an obligation just to stay culturally relevant. Seriously, soon enough it will be Fast & Furious Infinitum. We went to a newly built theater with individual recliners and waiters (no concession stands). Are film-goers no longer satisfied by popcorn and Milk Duds? No way would I order an $80 bottle of wine to go with Rogue One. It’s meant to be a premium experience, with everything served to you in the recliner, and accordingly, charges premium prices. Too bad most films don’t warrant such treatment. All this is preliminary to the actual review, of course.

I had learned quite a bit about Rogue One prior to seeing it, not really caring about spoilers, and was pleasantly surprised it wasn’t as bad as some complain. Rogue One brings in all the usual Star Wars hallmarks: storm troopers, the Force, X-Wings and TIE Fighters, ray guns and light sabers, the Death Star, and familiar characters such as Grand Moff Tarkin, Darth Vader, Princess Leia, etc. Setting a story within the Star Wars universe makes most of that unavoidable, though some specific instances did feel like gratuitous fan service, such as the 3-second (if that) appearance of C3PO and R2D2. The appearance of things and characters I already knew about didn’t feel to me like an extra thrill, but how much I needed to already know about Star Wars just to make sense of Rogue One was a notable weakness. Thus, one could call Rogue One a side story, but it was by no means a stand-alone story. Indeed, characters old and new were given such slipshod introductions (or none at all!) that they functioned basically as chess pieces moved around to drive the game forward. Good luck divining their characteristic movements and motivations. Was there another unseen character manipulating everyone? The Emperor? Who knows? Who cares! It was all a gigantic, faceless, pawn sacrifice. When at last the main rebels died, there was no grief or righteousness over having at least accomplished their putative mission. Turns out the story was all about effects, not emotional involvement. And that’s how I felt: uninvolved. It was a fireworks display ending with a pointless though clichéd grand finale. Except I guess that watching a bunch of fake stuff fake blow up was the fake point.

About what passed for a story: the Rebellion learns (somehow?!) that they face total annihilation from a new superweapon called the Death Star. (Can’t remember whether that term was actually used in the film.) While the decision of leadership is to scatter and flee, a plucky band of rebels within the rebellion insist on flinging themselves against the enemy without a plan except to improvise once on site, whereupon leadership decides irrationally to do the same. The lack of strategy is straight out of The Return of the King, distracting the enemy from the true mission objective, but the visual style is more like the opening of Saving Private Ryan, which is to say, full, straight-on bombardment and invasion. Visual callbacks to WWII infantry uniforms and formations couldn’t be more out of place. To call these elements charmless is to give them too much credit. Rather, they’re hackneyed. However, they probably fit well enough within the Saturday-morning cartoon, newsreel, swashbuckler sensibility that informed the original Star Wars films from the 1970s. Problem is, those 1970s kids are grown and want something with greater gravitas than live-action space opera. Newer Star Wars audiences are stuck in permanent adolescence because of what cinema has become, with its superhero franchises and cynical money grabs.

As a teenager when the first trilogy came out, I wanted more of the mystical element — the Force — than I wanted aerial battles, sword fights, or chase scenes. The goofy robots, reluctant heroes, and bizarre aliens were fun, but they were balanced by serious, steady leadership (the Jedi) and a couple really bad-ass villains. While it’s known George Lucas had the entire character arc of Anakin Skywalker/Darth Vader in mind from the start, it’s also fair to say that no one quite knew in Episode 4 just how iconic Vader the villain would become, which is why his story became the centerpiece of the first two trilogies (how many more to come?). However, Anakin/Vader struggled with the light/dark sides of the Force, which resonated with anyone familiar with the angel/demon nomenclature of Christianity. When the Force was misguidedly explained away as Midi-clorians (science, not mysticism), well, the bottom dropped out of the Star Wars universe. At that point, it became a grand WWII analogue populated by American GIs and Nazis — with some weird Medievalism and sci-fi elements thrown in — except that the wrong side develops the superweapon. Rogue One makes that criticism even more manifest, though it’s fairly plain to see throughout the Star Wars films.

Let me single out one actor for praise: Ben Mendelsohn as Orson Krennic. It’s hard for me to decide whether he chews the scenery, upstaging Darth Vader as a villain in the one scene they share, or he’s among a growing gallery of underactors whose flat line delivery and blandness invites viewers to project upon them characterization telegraphed through other mechanisms (costuming, music, plot). Either way, I find him oddly compelling and memorable, unlike the foolish, throwaway, sacrificial band of rebellious rebels against the rebellion and empire alike. Having seen Ben Mendelsohn in other roles, he possesses an unusual screen magnetism that reminds me of Sean Connery. He tends to play losers and villains and be a little one-note (not a bag of tricks but just one trick), but he is riveting on-screen for the right reasons compared to, say, the ookiness of the two gratuitous CGI characters in Rogue One.

So Rogue One is a modestly enjoyable and ephemeral romp through the Star Wars universe. It delivers and yet fails to deliver, which about as charitable as I can be.