Archive for May, 2021

Jimmy Dore at his YouTube channel (traffic now being throttled) has been positively hammering various politicians and political analysts for their utterly unbelievable rationalizations and gaslighting regarding political strategy. In short, despite divisiveness sparked, fanned, and inflamed by the ownership class to keep the proles fighting amongst themselves rather than united against it, Americans are united in many of their desires. As W.J. Astore puts it,

Supposedly, America is deeply divided, and I’m not denying there are divisions. But when you ask Americans what they want, what’s surprising is how united we are, irrespective of party differences. For example, Americans favor a $15 minimum wage. We favor single-payer health care. We favor campaign finance reform that gets big money donors and corporations out of government. Yet our government, which is bought by those same donors, refuses to give Americans what we want. Division is what they give us instead, and even then it’s often a sham form of division.

I observe that $15 is only a starting point, not an endpoint, and that healthcare in a wealthy, modern democratic country is regarded (by those outside the U.S. — we’re the outliers) as a fundamental human right. Add the widely shared (perhaps banal) desire to live peacefully, prosperously, and freely (especially in the post-Enlightenment West) and contrast with what has been delivered — ongoing war and strife, massive diversion of resources to provide bogus security and safety from the very wars and strife initiated by the American Empire, and total surveillance of the citizenry under the false promise of safety — makes it fundamentally clear that Americans are being told emphatically, “No! You can’t have what you want.” Yet the ownership class gets what it wants, which appears to be uniformly MOAR!

When even modest pushback appears, the ownership class, through its bought-and-paid-for functionaries in academe, journalism, politics, and elsewhere, steps up its continuous narrative management to flummox and destabilize even the most sane thought and analysis. The deluge, barrage, and bombardment is so broad and noisome (as with all the irrationally shifting policy, opinion, and received wisdom regarding the pandemic) that few can keep their wits about them. I’m unsure how well I’ve succeeded, but at the very least, I don’t allow others do my thinking for me; I evaluate and synthesize the tornado of information best I can.

Only a couple executive administrations ago, the Republican Party, because of its assiduous opposition to anything and everything remotely popular or progressive while out of power, earned the sobriquet The Party of No! The Democratic Party took the lesson, and when it was Democrats’ turn to be out of power, made turnabout fair play under the banner The Resistance (no relation to the French Resistance (Fr: La Résistance)). No doubt many earnest progressives and die-hard Democrats consider themselves members of The Resistance. However, the real action is with Democratic political leadership, which clearly adopted the Politics of No! in denying American citizens the same things Republicans deny. Is it fair to conclude (read: not conspiratorial) that the two major U.S. political parties, at the behest of their owners, are united against the people?

The famous lyric goes “haters gonna hate.” That reflexive structure is equivalent to the meaningless phrase “It is what it is.” Subtexts attach to these phrases, and they take on lives of their own, after a fashion, with everyone pretending to know precisely what is intended and meant. That was the lesson, by the way, of the phrase “Stupid is as stupid does,” made up precisely to confound bullies who were making fun of someone of apparently limited capacity. In light of these commonplace rhetorical injunctions to actual thought, it is unsurprising that practitioners of various endeavors would be revealed as cheerleaders and self-promoters (sometimes rabidly so) for their own passion projects. With most activities, however, one can’t XX about XX, as in sport about sports, music about music, or cook about cooking. If one plays sports, makes music, or cooks, exemplary results are identifiable easily enough, but promotion on behalf of those results, typically after the fact but sometimes in the midst of the activity (i.e., sports commentary), takes place within the context of language. The two major exceptions I can identify are (1) politicking about politics and (2) writing about writing, both heavily laden with speech. (A third example, which I won’t explore, might be celebrating celebrities. Ugh.)

Of the first example I have little to say except that it’s so miserably, ugly, and venal that only politicians, policy wonks, political junkies, and campaign strategists (now full-time political strategists considering campaigns never end) derive much joy or energy from the reflexive trap. The rest of us prefer to think as little as possible about the entirely corrupt nature of political institutions and the associated players. The second example, however, is arguably an inborn feature of writing that still commands attention. Writers writing about writing might be typically understood as fiction writers revealing their processes. A recent example is J.K. Rowling, who leapt from obscurity to international fame in one bound and now offers writing tips (mainly plotting) to aspirants. An older example is Mark Twain, whose recommendation to ward off verbosity is something I practice (sometimes with limited success). Writers writing about writing now extends to journalists, whose self-reflection never seem to wear thin as the famous ones become brands unto themselves (perhaps even newsworthy in their own right). Training attention on themselves (“Look mom, no hands!”) is rather jejune, but again, commonplace. It’s also worth observing that journalists journaling about journalism, especially those who reveal how the proverbial sausage is made (e.g., Matt Taibbi and his book Hate Inc.: Why Today’s Media Makes Us Despise One Another (2019)), are essentially self-cannibalizing (much like celebrities).

What strikes me lately is how many writers, journalists, and commentators (probably includes bloggers like me — bloggers blogging about blogging) have become cheerleaders for the media in which they work, which is especially true of those who have abandoned legacy media in favor of newer platforms to connect with readerships and/or audiences. Extolling the benefits of the blog is already passé, but the shift over to podcasting and YouTube/TikToc channels, accompanied by testimonial about how great are attributes of the new medium, has passed beyond tiresome now that so many are doing it. Print journalists are also jumping ship from legacy publications, mostly newspapers and magazines, to digital publishing platforms such as Medium, Revue, and Substack. Some create independent newsletters. Broadcast journalists are especially keen on YouTube. A fair bit of incestuous crossover occurs as well, as media figures interview each other endlessly. Despite having restricted my media diet due to basic distrust of the legacy media in particular, I still award a lot of attention to a few outlets I determined deserve my attention and are sometimes even trustworthy. Or sometimes, they’re just entertaining. I still tune in the stray episode of someone I find infuriating just to check in and reinforce my decision not to return more frequently.

Stopping here and breaking this post into parts because the remainder of the draft was already growing overlong. More to come in part 2.

A listicle called “10 Things We Have Learned During the Covid Coup,” supporting text abbreviated ruthlessly:

1. Our political system is hopelessly corrupt …

2. Democracy is a sham. It has been a sham for a very long time …

3. The system will stop at nothing to hold on to its power …

4. So-called radical movements are usually nothing of the sort …

5. Any “dissident” voice you have ever heard of through corporate media is probably a fake …

6. Most people in our society are cowards …

7. The mainstream media is nothing but a propaganda machine for the system …

8. Police are not servants of the public but servants of a powerful and extremely wealthy minority …

9. Scientists cannot be trusted …

10. Progress is a misleading illusion …

Let’s Be Evil, pt. 05

Posted: May 12, 2021 in Culture, History, Outrage, Politics, War

Does this miserable joke meme

inform the following image?

Time moves on yet the story remains stubbornly the same. Like the United States before it (and others elsewhere), Israel is carrying out an extermination campaign — with the aid of the U.S. empire. There’s something uniquely despicable about being unrepentant winners in the unabated practice of colonialism.

Continuing my book-blogging project on Orality and Literacy, Ong provides context for the oral tradition that surrounded the two great Homeric classics: The Iliad and The Odyssey. According to Ong, it took decades for literary critics and sociologists to overcome their bias, borne out of literacy, and recognize how formulaic are the two epics. They are essentially pastiches of commonplace plots, phrases, and sayings of the time, which was a notable strength when oral delivery based on memorization was how epic poetry was transmitted. In a literate era, such clichés are to be avoided (like the plague).

Aside: my review of David Serota’s Back to Our Future mentions the dialect he and his brother developed, filled with one-liners and catchphrases from entertainment media, especially TV and movies. The three-word (also three-syllable) form seems to be optimal: “Beam me up” (Star Trek), “Use the Force” (Star Wars), “Make my day” (Dirty Harry), “I’ll be back” (The Terminator), etc. This construction is short, punchy, and memorable. The first holder of high office in the U.S. to attempt to govern by catchphrase was probably Ronald Reagan, followed (of course) by Arnold Schwarzenegger and then Donald Trump. Mustn’t overlook that all three (and others) came to prominence via the entertainment industry rather than through earnest (Kennedyesque) public service. Trump’s numerous three-word phrases (shtick, really) lend themselves especially well to being chanted by adoring crowds at his pep rallies, swept up in groupthink, with a recognizable beat-beat-beat-(silence) structure. The rock band Queen stumbled upon this same elemental rhythm with its famous stomp-stomp-clap-(wait) from the anthem “We Are the Champions,” consciously intended for audience participation (as I understand it).

Further aside: “We Are the Champions” combines its iconic rhythm with a recitation tone sourced in antiquity. Make of that what you will.

Ong goes on to provide a discussion of the psychodynamics of orality, which I list here without substantive discussion (read for yourself):

  • orality is additive rather than subordinative
  • orality is aggregative rather than analytic
  • orality is redundant or copious
  • orality is conservative or traditionalist
  • orality is close to the human lifeworld
  • orality is agonistically toned
  • orality is empathetic and participatory rather than objectively distanced
  • orality is homeostatic
  • orality is situational rather than abstract

Of particular interest is Ong’s description of how language functions within oral cultures distinctly from literate cultures, which is the source of the bias mentioned above. To wit:

Fully literate persons can only with great difficulty imagine what a primary oral culture is like, that is, a culture with no knowledge whatsoever of writing or even the possibility of writing … In a primary oral culture, the expression ‘to look up something’ is an empty phrase … [w]ithout writing, words as such have no visual presence, even when the objects they represent are visual … [for] ‘primitive’ (oral) people … language is a mode of action and not simply a countersign of thought — oral people commonly, and probably universally, consider words to have great power. [pp. 31–32]

If this sounds conspicuously reminiscent this previous post, well, congratulations on connecting the dots. The whole point, according to a certain perspective, is that words are capable of violence, which is (re)gaining adherents as our mental frameworks undergo continuous revision. It’s no small thing that slurs, insults, and fighting words (again) provoke offense and violent response and that mere verbal offense equates to violence. Not long ago, nasty words were reclaimed, nullified, and thus made impotent (with varying levels of irrational rules of usage). Well, now they sting again and are used as ammo to cancel (a form of administrative violence, often undertaken anonymously, bureaucratically, and with the assistance of the digital mob) anyone with improper credentials to deploy them.

Let me draw another connection. Here’s a curious quote by Walter Pater, though not well known:

All art constantly aspires towards the condition of music. For while in all other kinds of art it is possible to distinguish the matter from the form, and the understanding can always make this distinction, yet it is the constant effort of art to obliterate it.

Put another way, the separation of signifier from signified, an abstraction conditioned by literacy and rationalism (among other things) is removed (“obliterated”) by music, which connects to emotion more directly than representational art. Similarly, speech within primary oral cultures exists purely as sound and possesses an ephemeral, even effervescence (Ong’s term) quality only experienced in the flow of time. (Arguably, all of human experience takes place within the flow of time.) Music and “primitive” speech are accordingly dynamic and cannot be reduced to static snapshots, that is, fixed on a page as text or committed to a canvas or photograph as a still image (hence, the strange term still life). That’s why a three-word, three-syllable chant, or better yet, the Queen rhythm or the Wave in sports arenas (a gesture requiring subscription of everyone), can possess inherent power, especially as individuals are entrained in groupthink. Music and words-as-violence get inside us and are nearly wholly subjective, not objective — something we all experience organically in early childhood before being taught to read and write (if in fact those skills are learned beyond functional literacy). Does that mean culture is reverting to an earlier stage of development, more primitive, childlike, and irrational?