Killing from a Distance (redux)

Posted: August 21, 2018 in Artistry, Cinema, Idle Nonsense, Narrative
Tags: , ,

In an earlier blog post, I mentioned how killing from a distance is one way among many that humans differentiate from other animals. The practical advantage of weaponry that distances one combatant from another should be obvious. Spears and swords extend one’s reach yet keep fighting hand-to-hand. Projectiles (bullets, arrows, catapults, artillery, etc.) allow killing from increasingly long distances, with weapons launched into low orbit before raining down ruin being the far extreme. The latest technology is drones (and drone swarms), which remove those who wield them from danger except perhaps psychological torment accruing gradually on remote operators. Humans are unique among animals for having devised such clever ways of destroying each other, and in the process, themselves.

I finally got around to seeing the film Black Panther. Beyond the parade of clichés and mostly forgettable punchfest action (interchangeable with any other Marvel film), one particular remark stuck with me. When the warrior general of fictional Wakanda went into battle, a female as it happens, she dismissed the use of guns as “primitive.” Much is made of Wakanda’s advanced technology, some of it frankly indistinguishable from magic (e.g., the panther elixir). Wakanda’s possession of weaponry not shared with the rest of the world (e.g., invisible planes) is the MacGuffin the villain seeks to control so as exact revenge on the world and rule over it. Yet the film resorts predictably to punching and acrobatics as the principal mode of combat. Some of that strategic nonsense is attributable to visual storytelling found in both comic books and cinema. Bullets fly too fast to be seen and tracking airborne bombs never really works, either. Plus, a punch thrown by a villain or superhero arguably has some individual character to it, at least until one recognizes that punching leaves no lasting effect on anyone.

As it happens, a similar remark about “primitive” weapons (a blaster) was spat out by Obi-Wan Kenobi in one of the Star Wars prequels (dunno which one). For all the amazing technology at the disposal of those characters long ago in a galaxy far, far away, it’s curious that the weapon of choice for a Jedi knight is a light saber. Again, up close and personal (color coded, even), including actual peril, as opposed to, say, an infinity gauntlet capable of dispatching half a universe with a finger snap. Infinite power clearly drains the stakes out of conflict. Credit goes to George Lucas for recognizing the awesome visual storytelling the light saber offers. He also made blaster shots — the equivalent of flying bullets — visible to the viewer. Laser beams and other lighted projectiles had been done in cinema before Star Wars but never so well.


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