When any given technology reaches maturity, one might think that it’s time perhaps to stop innovating. A familiar, reliable example is the codex, also known as the book, now many centuries old and an obvious improvement over clay tablets and paper scrolls. Its low cost and sheer utility have yet to be surpassed. Yet damn it all if we don’t have inferior alternatives being shoved down our throats all the time, accompanied ad naseum by the marketers’ eternal siren song: “new and improved.” Never mind that novelty or improvement wasn’t even slightly needed. A more modern example might be Microsoft Word 5.1, dating from 1992, which dinosaurs like me remember fondly for its elegance and ease of use. More than 20 years later, Microsoft Office (including MS Word) is widely considered to be bloatware, which is to say, it’s gone backwards from its early maturity.
So imagine my consternation when yet another entirely mature technology, one near and dear to the hearts of music lovers (those with taste, anyway), received another obligatory attempt at an update. Behold the preposterous, ridiculous, 3D-printed, 2-string, piezoelectric violin designed by Monad Studio:
Someone teach the poor model, chosen for her midriff no doubt, how to hold the bow! The view from the opposite side offers no improvement: (more…)