To orient oneself in life, a person chooses from among myriad narratives, typically assembling a hodgepodge worldview out of diverse parts. According to Oswald Spengler, cultural artifacts (e.g., the arts, humanities, and sciences) arise “needing the guidance of inspiration and … developing under great conventions of form.” The very same can be said of our origin and orientation stories, ancient or contemporary. Narratives intertwine and need not necessarily be discrete, mutually exclusive, or competing, even though that’s what’s often implied by time-worn tensions underlying science vs. religion, sometimes understood more philosophically as logos vs. mythos. Indeed, they cohere despite conflicts of logic and their being ahistorical. The power of subscription and consensus overcomes all objections.
If a master narrative exists, it ought to be simply reality obtained, though that is probably visible to only a small percentage of people able to apprehend the world clearly. For the rest, scales not yet having fallen from the eyes, the considerable benefit of hindsight can help clarify the view, but only if one has sufficient nerve to behold it honestly. Instead, our dominant inspirational narratives promulgate a wide variety of incompletely fulfilled hopes and desires. Few such promises bear much resemblance to reality, those of economists, politicians, and clerics demonstrating the most striking discontinuities from the actuality experienced by ordinary folks. A Chris Hedges article at TruthDig.com called “The Folly of Empire” discusses this departure from reality in his characteristically erudite style (apologies for the long nested quote):